original Sculpture

These works explore mythology, archetype, symbolism, and the expressive possibilities of carved stone.

Rooted in classical traditions while developed through a contemporary sensibility, the collection moves between figurative sculpture, symbolic objects, and imaginative forms.

Each work begins with material and develops through an ongoing dialogue between concept, craftsmanship, and discovery.

Selected works are available for acquisition and can be shipped internationally.

“The Messenger” Colorado marble and Brazilian citrine. Roughly 12”x13”x15”

The Messenger explores presence concealed within absence.

Referencing masks, spiritual intermediaries, and archetypal figures found across cultures, the work considers what it means for something unseen to become visible.

The citrine eyes interrupt the stillness of the marble and suggest consciousness emerging through an otherwise anonymous form.

The sculpture leaves open whether the message offered is warning, invitation, judgment, or revelation.

“Medusa” in Colorado Marble, Brazilian Aquamarine, Vintage Black Glass, and frame 20” x 12” x 4”

Few mythological figures remain as culturally charged as Medusa.

This interpretation moves beyond punishment and monstrosity to examine contradiction: innocence and danger, attraction and fear, beauty and transformation.

Surface treatments intentionally balance refinement and erosion, reinforcing themes of fracture, endurance, and identity.

Rather than choosing between victim and monster, the sculpture allows both realities to coexist.

“Phantasma Liberta” in Colorado Marble. 10” x 14” x 36”

Phantasma Liberta marks a return to recurring themes within the artist’s practice—transformation, freedom, and the relationship between strength and delicacy.

Flowing forms dissolve into avian movement, creating a composition suspended between figure and atmosphere.

The work reflects an interest in transcendence not as escape, but as emergence: the human spirit extending beyond perceived limits.

“Clockface” in Turkish Afyon Marble.

A contemporary variation on the memento mori tradition, Clockface reflects on mortality and the passage of time.

Contrasts between realism and erosion suggest both permanence and impermanence—the human desire to hold shape against inevitable change.

The work exists between portrait, relic, and symbol.

“Rising tide”

Inspired by fragmented classical sculpture, Rising Tide reflects on memory, loss, and endurance across time.

Emerging and dissolving simultaneously, the figure occupies an uncertain space between preservation and disappearance.

The tear becomes a quiet gesture—suggesting grief, longing, or the search for stability within a shifting world.

“Battlecry” Colorado marble. Roughly 8”x10”x15”.

Drawing from Greco–Roman traditions and the enduring image of the warrior archetype, Battlecry considers the role of strength within contemporary life.

The work explores determination, sacrifice, and the necessity—and danger—of force.

Rather than celebrating conquest, the sculpture asks where conviction becomes domination and where courage becomes destruction.

“Harvester” Colorado marble and Nephrite Jade. Roughly 9”x11”x13”

Inspired by archetypes surrounding Ceres and Demeter, Harvester reflects on growth, fertility, and the quiet vitality of the natural world.

Rather than depicting labor directly, the sculpture focuses on emergence—the tension between fragility and abundance, cultivation and mystery.

Contrasts between carved delicacy and structural strength reinforce the dual nature of creation itself.

“Water and Life” in Turkish Afyon Marble, roughly 6”x9”x18”.

Water and Life explores transformation, memory, and the relationship between material and immaterial experience.

The hand—an enduring motif throughout the artist’s work—appears here as both creator and witness: shaping, receiving, and releasing.

Water functions simultaneously as physical necessity and symbolic threshold, suggesting movement between states of being.

The work balances stillness and motion, inviting contemplative attention.

“Fruit of the Tree” Carrara marble and African Jasper. Roughly 8”x9”x12”

Drawing on one of the most enduring symbolic images in Western tradition, Fruit of the Tree explores the tension between appearance and consequence.

The suspended fruit becomes an object of attraction and ambiguity—simultaneously promise and danger, beauty and temptation.

Through restrained form and contrasting materials, the work invites reflection rather than conclusion.